Quick Update

Whew. It's been a pretty hectic couple of weeks. School is starting to pick up again. I'm taking more hours this semester than I've ever taken. Weak, I know. But I think things are starting to come back together. Hopefully.

Joseph and I are headed out tomorrow to finally do some shooting and a little more location scouting. There's probably going to be at least one more shoot after tomorrow at the current location, then I'll start editing everything together. These next few entries have required a lot of planning, but I've got my fingers crossed that it'll all have been worth it when it's finished.

It's all taking a little bit longer than I'd hoped, as usual. Thanks, everyone, for being patient. I guess you're all used to it by now, right?

No Time to Breathe

I couldn't be happier with how everything has been working out with Marble Hornets thus far. I've been reading everywhere that people are excited for the story to be picking up again. This is definitely what we hoped would happen from the very beginning of season two. We knew that a lot of people were going to start getting antsy with the claustrophobic nature of the hotel entries, but we kept the slow burn going in order to make it that much more satisfying once it starts moving forward again. From what I've been reading (and I've been looking through a lot), we've accomplished that pretty nicely. High five, team!

That being said, it's time to get back to work. With the posting of Entry #33, we have pretty much exhausted our current stash of raw footage. That means we have to get back out there and do some more actual shooting. But before doing that, we've got to do a little preproduction. Things like finalizing the "roadmap" for the next batch of entries and getting rehearsals done. It shouldn't take too long, but there's probably going to be a little extra time between now and the next entry. Don't worry though, it won't be anything compared to some of the gaps we had during season one. That's a promise!

BONUS:

Here's another behind the scenes-esque picture. I think explaining the context will ruin it, though:

Maybe we'll tell you about it one day. Maybe in the special features section of some magical disc read by lasers. Who can say.

MH Update

There's a good chance that a new Marble Hornets won't be posted until 2011. That's kind of frustrating. The "powers that be" are holding up a stop sign at the moment until one or two details are ironed out. I guess I'll just consider it a longer than expected break. I'm getting antsy. I really hate making people wait.

So to keep you occupied for... however long it takes you to read it, I'll talk about some kind of neat production stuff.

So far, all of the entries of season two have been co-directed, a pretty big change from season one, which I attempted to direct all on my own. I was stubborn on how I wanted everything to go, and didn't want to give up the reigns easily. But I think I've grown out of that now, and am more willing to let someone else have a turn. Most everyone involved with Marble Hornets is a seasoned veteran by now and knows precisely the look we need. Unsurprisingly, it's Joseph that has stepped up on multiple occasions, usually when I'm already involved in a scene with Jessica, to sit with us during rehearsal and give us feedback. When the camera starts rolling, he becomes a really sharp listener and isn't shy to let us know when something isn't working. I should point out that he's had absolutely no experience with this kind of stuff before Marble Hornets started, so it's really cool that he's caught on so easily. I know he sounds all self deprecating in the radio interview , but he basically knows what he's doing as far as actual shooting is involved. He just wants attention. Don't give it to him.

Oh yeah, something else I've been meaning to comment on for a while now. Our acting. I read all the major forums dedicated to Marble Hornets every other day or so, and I'm happy to see that people seem to think I've gotten better at playing Jay. I must admit, in season one I wasn't too concerned with him as a character, I opted instead to have him as an extension of the camera. A medium for the story to be told, if it doesn't sound too pretentious (it probably does). The Gordon Freeman. That's the best way I can put it. But for season two, without spoiling anything that's already obvious, Jay is going to be much more involved besides being the human tripod. Luckily, I've been in one of the best acting classes I've ever had since this season started, and I feel pretty capable of the things that Jay has in store for him. We'll see.

That being said, I know that I nor any of the other people in front of the camera are not professional actors. There's been a few performance hiccups this season already (the latest entry is a good example in spots). I'm not going to try and defend it against the negatives that have been said with stupid, clichéd excuses like "YOUR STANDARDS ARE TOO HIGH" or "LET'S SEE YOU DO IT BETTER". Most of the time what I read are valid criticisms. But I will say that we're trying our hardest this season to address this kind of thing. Poor acting can take people out of atmospheric stuff like this super easily. That's the exact opposite of what we want, obviously. So believe me when I say we're taking it all more seriously now. No more completely improvised stuff like in last season. Promise.

So yeah. That's all I got for now. I guess it's time to go get a shower and figure out what the hell I want to do today. Maybe drop kick Joseph off a cliff.

Mervin Christums!

This might be the greatest picture I've ever had the pleasure of being a part of.

For a while now, Ellis (if you're keeping score, he's on the right) has been hounding Joseph and I about getting  some kind of "tacky-ass" Santa picture with all three of us in it. Just because. I don't think his plan extended past that. I was a little reluctant at first. All I saw was us being those annoying WACKY KIDS in line that just makes everyone uncomfortable (in my head, they're also making loud references to lame internet memes the entire time too).

I kind of thought he had forgotten about it after about a week, but this Monday he came into my room and asked what I was doing the next day. I was off work and so was he. Guess what he wanted to do. Joseph had already agreed, so what the hell. At least we'd all three look stupid together. Bonding time.

We ventured over to the thrift store the next day. I never thought people did much actual Christmas shopping there, but man was it crowded. The pickings were slim, no doubt because of it being so late in the season. Joseph asked one of the workers where the Christmas clothes were, to which we were directed to the "cart full over there somewhere". There was really only one good sweater there, and Joseph called dibs.

Fast forward to the mall. Equally as crowded as the thrift store. Plenty of eyes to awkwardly try to not look like they're staring at us. I know the feeling well, ever since that time in high school when I wore hot pink ski pants for tacky day when it apparently wasn't. Whatever. Once we were in line with all the excited parents with kids in their own tacky sweaters, we started planning out the picture. There were some great ideas tossed around, from all three of us trying to fit on Santa's lap to us giving our best creeper smiles directly at the camera. We settled on the least offensive theme of bad family portrait. Unoriginal? Maybe. But look at that result. Santa told Joseph to "take one for the team" and sit on his lap, so Ellis and I just went from there. I wish I wasn't covered up so much, but that's something that will be fixed with next year's edition, I'm sure.

Joseph's already ordered a sweet mug with the picture on it. I wish we still had a mantle.

So what's next for us? I'm thinking Olan Mills.

A different kind of waiting

You know what I hate about editing? Rendering. Waiting on them to finish, specifically. Once I finish something and watch it dozens of times trying to catch tiny imperfections, inevitably after waiting on the half hour+ render to finish, I'm going to notice something that slipped by my previously sharp detection device (eg: my tired eyes). And so I have to go in and fix it. Then re-render the whole thing again. This process has repeated itself up to 5 times before.

It's annoying.

As you may have noticed, we were finally able to shoot the next entry. It was pretty miserable. We woke up early so we'd have plenty of time to shoot. Unfortunately, we forgot to check the weather. Steady rain all morning. Freezing rain. Since we were already behind on our posting schedule, we pushed on. It's about a 15-20 minute walk from the car to the location, so hauling all the equipment down there, while trying to somehow keep it dry felt like some kind of crucible. I think it's a small miracle we made it there at all. I was wearing four layers and a rain jacket and was still numb. I guess I'll never be used to anything besides sweltering southern heat. Actually, come to think of it, I'm not used to that either.

It went surprisingly smoothly once we started shooting, though. I think it only took six takes to get everything right. The fact that we were all human glaciers probably had something to do with that.

Waiting

We're still waiting on our stuff to get here. Hopefully it'll be here tomorrow and we can get some shooting done at our location.

Like I said in the previous post, we have tons of footage for the next few entries that just needs to be edited together. I apologize again for the unexpected wait.

Things going on

I'm offcially done with this semester. That's pretty nice to know. It was productive, but stressfull juggling two production classes, a copywriting class, and an acting class all at the same time. So what's going on with me now?

NOTE: I'm going to talk about Marble Hornets. If you're someone who values immersion, you should stop reading and go play outside.

Right now, I'm trying to stay busy on Marble Hornets. I was really bad last season with having gaps that were way too big between updates, which made people understandably antsy. So I'm trying my hardest to have a somewhat predictable post schedule this time around.

But of course, there's been speedbumps aplenty. We were supposed to do some shooting yesterday, but there was a hold up in the all too familiar form of having to wait on a few important things for the next entry to be shipped to us from Amazon. We have a ton of footage right now that's ready to be edited and posted, but we don't have anything for the upcoming entry yet, so we need to build that bridge.

I don't usually post behind the scenes stuff, but I feel like I should give you something since you're having to wait a little longer than expected for a new entry. Here's a few pictures from when we've been out location scouting for season 2. Taken with my 47.3 megasuperpixel cell phone camera:

Of course, I can't really elaborate on the context of any of these places, or if they're even going to be used this season, but rest assured we've found some neato locations while out searching.

Other than all that, I have a few good ideas floating around in my head that I'd like to develop into some kind of project. Marble Hornets is fun to do, but it kind of puts me in a corner creatively. I feel like if I stick to a certain way of thinking (in this case, psychological horror-esque stuff), the idea inevitably becomes stale. I need to step back to something different for a while so I can come back with a fresh perspective. We'll see where this new stuff ends up.

I think I'll start posting behind the scenes and production stuff a little more often 'round these parts. It's fun to talk about all the things Joseph and I have been doing. And I'd like at least some record, no matter how poorly written, of all the work we've put into this thing.

Now to wait on some packages to get here...